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Silpi Divas, observed in Assam on January 17 to commemorate the death anniversary of renowned artist Jyoti Prasad Agarwala, affectionately called “Rupkonwar.” He passed away on January 17, 1951, at the age of 47. 

About Jyoti Prasad Agarwala

  • Jyoti Prasad Agarwala, also known as the “Father of Assamese Cinema,” was the first film maker of Assam, he belonged to Marwar of Rajasthan.
  • He was the great writer of Assam, who had written different types Dramas, Poems, Songs, Films. 
  • Born on June 17, 1903, in Tamulbari Tea Estate near Dibrugarh, his father was Paramanada Agarwala and mother was Kiranmayee. 
  • During his school time itself he joined the freedom movement. 
  • After matriculation he Joined National College of Calcutta and completed his I.A. 
  • He went to Germany to learn Film Making and came back to Assam in 1930.

Pioneer of Assamese Cinema

  • Upon his return to Assam, Jyoti Prasad embarked on an ambitious journey to introduce filmmaking to his native land. 
  • In 1935, Jyoti Prasad directed Assam’s first feature film, “Joymoti”, which marked a historic moment for Assamese cinema. 
  • He established the Chitraban Studio at the Bholaguri Tea Estate in Gohpur in 1934 and began his film making career with “Joymoti”.
  • He also set up a cinema hall “Junaki” in Tezpur in 1937. 
  • He made the second Assamese movie “Indramalati” in the year 1939.

Notable Literary Works

  • Plays: Jyoti Prasad Agarwala along with ‘Kalaguru’ Bishnu Prasad Rabha, wrote down the famous plays “Sonit-Konwari” and “Joymoti”. 
    • Some of his other famous plays include “Karengar Ligiri,” Lobhita, and “Rupalim”, nimati konya,  sonpakhilee, kanak Lata, Sundor Konwar, etc. 
    • These works reflect his commitment to preserving Assamese culture and addressing social issues.
  • Poetry and Music: Jyotiramayan- poetry collection of luitpaaron agnixur.
    • His songs, collectively known as “Jyoti Sangeet,” are celebrated for their lyrical beauty and emotional depth. 
    • They continue to inspire and resonate with people across Assam.
  • In 1944 he also re-published “Asomiya” which was a closed down newspaper.

Jyotiprasad Agarwala’s transformative role

  • Jyotiprasad Agarwala (1903–1951) gave direction, depth and identity to modern Assamese theatre.
  • He introduced social realism, moving drama away from mythological or purely romantic themes toward lived social experience.
  • His landmark play Karengar Ligiri (1937) was revolutionary for its original structure and contemporary social content, capturing the attention of theatre lovers across Assam.
  • Another major work, Lobhita (1948), is set against the backdrop of the Quit India Movement of 1942, portraying the courage and suffering of ordinary people.

Role in India’s Freedom Struggle

  • Jyoti Prasad was also a patriot deeply involved in India’s freedom movement and took active part in the Quit India movement of 1942. 
  • Inspired by Mahatma Gandhi, he used his art and writings to spread the message of resistance, courage, and patriotism. 
  • His works often carried themes of cultural preservation and the importance of self-reliance, making him a cultural leader during the struggle for independence.
  • He 
  • He was also made the Chief Commandant of the All Assam Peace Force.
  • He was even jailed for 15 months and fined Rupees 500 for his active involvement in the fighting of Independence.

Challenges and Struggles

  • Despite his immense contributions, Jyoti Prasad faced numerous challenges. 
  • In an era when the concept of cinema was unknown in the region, he decided to make a film in Assamese, overcoming challenges such as lack of infrastructure, financial constraints, and technical expertise.
  • His pioneering efforts in filmmaking brought him little financial success, and he often struggled to sustain his creative ventures. 
  • His films faced commercial failure due to lack of distribution channels and limited infrastructure. 
  • However, his determination and passion for art and culture remained undeterred.

Impact on Assamese Cinema and Culture

  • He laid the foundation for modern Assamese cinema, inspiring future generations of filmmakers and artists.
  • His pioneering efforts and passion for storytelling set a benchmark for creativity and cultural preservation.
  • His works in literature, music, and theater continue to enrich Assamese heritage.
  • His vision of blending art with social change and national pride remains relevant.

Jyoti Prasad Agarwala’s life is a testament to the transformative power of passion and perseverance. As the father of Assamese cinema, he introduced a new medium of cultural expression to Assam. His literary and musical works continue to enrich Assamese heritage, while his role in the freedom struggle underscores his commitment to the nation. 

Fact-Sheet

  • Poet Anandachandra Barua gave the title Rupkonwar (Prince of beauty) to Jyotiprasad Agarwala in 1938.
  • Joymoti, released by Chitralekha Movietone, was the fourth Indian talkie. It was based on a play called Soti Joymoti by Sahityarathi Lakshminath Bezbaroa.
  • Jyoti Prasas was the first Indian filmmaker to have introduced dubbing and re-recording technology in talkies.
    • Joymoti was taken to Lahore for editing, during which Agarwala discovered there was no sound for one half of the film. So he hired a sound studio and dubbed the voices of all the characters in the film. 

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